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Here are all the paintings of Jan van Huysum 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 2223 |
 |
Basket of Flowers |
|
| 59421 |
 |
Bouquet of Flowers in an Urn by Jan van Huysum, |
"Bouquet of Flowers in an Urn" by Jan van Huysum, from 1724. |
| 2218 |
 |
Flowers |
1722
The Hermitage, St.Petersburg |
| 2220 |
 |
Fruit Still Life |
Rijksmuseum, Amsterdam |
| 2221 |
 |
Hollyhocks and other Flowers in a Vase |
1710
National Gallery, London |
| 2216 |
 |
Still Life of Flowers in a Vase on a Marble Ledge |
|
| 2225 |
 |
Still Life with Flower |
|
| 2231 |
 |
Still Life with Fruit and Flowers |
|
| 74520 |
 |
Still-life of grapes and a peach on a table-top |
17th century
cjr |
| 67363 |
 |
stilleben |
se |
| 2228 |
 |
Vase of Flowers on a Socle |
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| Jan van Huysum
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| 1682-1749
Dutch
Jan Van Huysum Galleries
He was the brother of Jacob van Huysum, and the son of Justus van Huysum, who is said to have been expeditious in decorating doorways, screens and vases. A picture by Justus is preserved in the gallery of Brunswick, representing "Orpheus and the Beasts in a wooded landscape", and here we have some explanation of his son's fondness for landscapes of a conventional and Arcadian kind; for Jan van Huysum, though skilled as a painter of still life, believed himself to possess the genius of a landscape painter.
Half his pictures in public galleries are landscapes, views of imaginary lakes and harbours with impossible ruins and classic edifices, and woods of tall and motionless trees-the whole very glossy and smooth, and entirely lifeless. The earliest dated work of this kind is that of 1717, in the Louvre, a grove with maidens culling flowers near a tomb, ruins of a portico, and a distant palace on the shores of a lake bounded by mountains.
Some of the finest of van Huysum's fruit and flower pieces have been in English private collections: those of 1723 in the earl of Ellesmere's gallery, others of 1730-1732 in the collections of Hope and Ashburton. One of the best examples is now in the National Gallery, London (1736-1737). No public museum has finer and more numerous specimens than the Louvre, which boasts of four landscapes and six panels with still life; then come Berlin and Amsterdam with four fruit and flower pieces; then St Petersburg, Munich, Hanover, Dresden, the Hague, Brunswick, Vienna, Carlsruhe, Boston and Copenhagen.
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